- Lake and the River
- → Highest Reputation Content
Highest Reputation Content
Posted greek1191 on 16 May 2012 - 02:43 PM
Posted Kari on 22 September 2011 - 10:01 PM
I wish my imagination was always this kick ass...
Posted Chzn8r on 30 December 2013 - 06:58 PM
"This body's not a a temple, it's a prison."
For a split second I was like "Oh that's crazy, that's a lyric in a Dear Hunter song. Hey wait..." and as I surveyed the room, I spotted 6 people wearing various Dear Hunter shirts and I started laughing hysterically.
Apparently I was the second victim of a surprise "dress like someone on the team" day XD We had previously dressed in flannel and blue jeans to mimic one of the more outdoorsy guys in the office.
Coincidentally, but not that unlikely (maybe a 1 in 4 chance?), I was wearing one of my TDH shirts. I'm in the brown:
Posted ZeppelinDT on 12 May 2012 - 07:58 AM
Posted daniel on 15 June 2011 - 01:44 PM
Posted casey crescenzo on 12 July 2013 - 11:49 AM
In the past, with acts 1-3, I have had to be so incredibly stubborn and steadfast in the production of the records to try and maintain the very specific scope of each record. Even though the records are expansive, and eclectic, very little was left up to chance, and almost nothing was left up to improvisation. This is the way I need to make concept records.
Migrant is the other end... of the... spectrum. So much of it was on the spot, small changes, little flubs that were kept, because it is meant to be a very human record.
Now I didn't mean to say 'I will never finish the act records'. Realistically, I could never leave them unfinished. What will most likely happen is this: I will write the records on off time over the next year or so, then I will try and work in studio time when I can to complete it on my own, and mix it on my own as well... simultaneously I will be working on the next 'proper' release from the dear hunter.
I don't want you guys to feel that I have abandoned anything. I just feel very inspired by the work on Migrant, and want to see where that takes me. The Act records HAVE to be in a fairly particular style - I can't just slap a tree on Migrant 2 and call it act IV... its has to be right, and it has to be real... always keep it real.
Posted casey crescenzo on 04 July 2015 - 05:30 PM
I think the key is that this isn't a traditional album, and this isn't a traditional single approach. Putting out this song first is much more about reaching out to fans of the band... more than attracting new people to the band.
I've heard a few people say that elements of the song were 'fan service', which is simultaneously a compliment and criticism, I feel... but in reality - this was one of the first tracks we really dug our teeth into while writing the record - and it is also about a pivotal moment in the story - so all of the musical allusions to previous and future songs/motifs arose from a place of genuine purpose.
It was also about putting my foot down about the type of band this is. There are going to be 3 to 3 1/2 minute songs in the band's discography - there are going to be mindlessly poppy songs - there will undoubtedly be choruses that are singable... but the purpose of the band is to be creative and organic, not to hit it big on the radio - and releasing a 9 minute track feels like the right first step to reclaiming that identity.